The Strange Things Mouthpieces Do

Over the past few days I’ve been listing most of my mouthpiece collection for sale. That has caused me to think about each mouthpiece and why I used them and then stopped using them. The overwhelming majority of them only saw about two weeks of use. The special few that saw years of use were always a compromise between different playing characteristics. Of course these playing characteristics only apply to me as people with different lips will experience different things with different mouthpieces. The following is a list of the aspects of a mouthpiece I would consider:

1. Accuracy vs. Intonation
I’ve found that certain mouthpieces can significantly improve my accuracy, but always at the expense of intonation.

2. Comfort vs. Articulation
Some mouthpiece rims are extremely comfortable for me to play on. Usually at the expense of the clarity of my articulation.

3. High Range vs. Low Range
The best mouthpieces I’ve ever played had an okay high range and an okay low range. Mouthpieces that have a great high or low range do so at the expense of the other.

4. Ease of playing vs. depth of sound
Some mouthpieces will produce an incredibly rich and full sound, but usually at the expense of it’s ease of playing. (No, this point is not just related to bore size.)

The list above is just the major points to consider when choosing a mouthpiece. If anyone is interested in seeing the mouthpiece collection I have for sale head over to the mouthpiece section of the hornplayer.net website.

2 comments to The Strange Things Mouthpieces Do

  • Anna Leverenz

    What is your opinion on using different mouthpieces for different situations? For example, the Stork C-plus series comes in a variety of cup depths and bore sizes, but you maintain the cup diameter and rim. I’ve found some success doing this – I’m working on Haydn’s Divertimento a tre for my lecture recital, and without a descant, I’ve had to compromise by using a Stork CSA 12 instead of my normal Stork CMA 10.

  • Derek J. Wright

    When I don’t have access to a descant horn I will sometimes play on a different mouthpiece. For example, I played a church gig a few months ago that had an extremely high horn part. I usually play on a PHC 23A cup (#12 bore) with an Osmun London 18.5mm rim. For this gig I changed to an Osmun L16M cup, a shallower mouthpiece with a smaller bore (#16.) When I played Wagner Tuba on Bruckner Symphony No. 9 back in November I switched my cup to an Osmun CH10M, a deeper cup with a larger bore. When I use a descant horn (my preferred choice) I switch to a Paxman 4B mouthpiece. It has a rim with a smaller inner diameter than the Osmun London 18.5mm but it is similarly contoured. I find that using a slightly smaller inner diameter helps with the high register without too much shock to my lips.

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